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About Noblesse Ballet
Our Founders
About Us
NOBLESSE BALLET by Ena Ballet Studio Japan is built on the belief that ballet is more than technique—it is a journey of grace, discipline, confidence, and character. Inspired by the meaning of “Noblesse Oblige,” the academy nurtures dancers to grow with respect, responsibility, artistry, and elegance. Through the internationally respected Vaganova Method, students receive safe, structured, and inspiring training that develops strong classical foundations, musicality, creativity, and self-expression. With professional facilities, performance opportunities, masterclasses, and international experiences including Japan programmes, NOBLESSE BALLET supports every dancer’s growth both as an artist and as an individual.


Ena Hirose
Founder & Artistic Director
Ena Hirose is a Japanese professional ballet dancer, choreographer, and ballet instructor with extensive international training, performance, choreography, and teaching experience.
She graduated from Shoin Women’s Junior College in Osaka, Japan, majoring in English Studies.
Beginning in 1989, she pursued advanced ballet training internationally at prestigious institutions including:
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The Vaganova Ballet Academy (Russia)
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Hans Meister Summer Ballet School (Switzerland)
She later continued her professional ballet education at the Bolshoi Ballet School and Australia National Theater Ballet School, where she graduated with honors from the two-year professional program in 1995 and earned a Diploma of Arts in Classical Dance.
During her studies, she also received awards including:
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“The Kathleen Gorham Most Outstanding Student Award”
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“Encouragement Award for Diploma of Arts Course”
Throughout her professional career, she performed with:
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Shanghai Ballet Company (China)
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New South Wales Ballet Company (Australia)
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Australian National Theatre Ballet
She danced numerous principal and title roles in classical ballet productions including:
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Swan Lake
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Coppélia
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Don Quixote
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Giselle
as well as many other classical repertoire works.
Her international performance highlights include:
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Performing the role of Swanhilda in Coppélia alongside Connor Walsh, Principal Dancer of Houston Ballet (USA), in 2013
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Performing at the International Ballet Gala 2012 in Kuala Lumpur with Hironao Takahashi
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Dancing the role of Kitri in Don Quixote with Robert Curran, Principal Dancer of The Australian Ballet
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Performing the Giselle pas de deux with Yuri Possokhov, as well as Peasant Pas de Cinq alongside principal dancers of San Francisco Ballet at the gala “Yuan Yuan Tan and 8 Ballet Super Stars” in Nara, Japan
Since 1992, she has been an official member of the Japan Ballet Association.
In 1999, she founded Ena Ballet Studio and has served as Artistic Director since its establishment.
Beginning in 2003, Ena Ballet Studio established an international educational partnership with the State Ballet School Berlin in Germany. In 2008, the studio also formed a partnership with Houston Ballet Academy BSA, one of the four major ballet institutions in the United States.
From 2004 to 2011, Ena Hirose directed the full-time professional ballet education program “Ena Ballet Studio Extended Education,” where she nurtured and trained talented young dancers while supporting their advancement into international ballet education and professional opportunities overseas.
Through these international collaborations and educational activities, Ena Ballet Studio earned a strong reputation for providing authentic classical ballet education that combines Japanese discipline with international artistic standards.
In 2006, she co-founded Ena Ballet Studio Company (EBSC) and became its Co-Director.
Although she retired from professional stage performance in 2014, she continues to dedicate herself to ballet education, choreography, and stage production through Ena Ballet Studio.
Her recent productions include:
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The Four Seasons (2017)
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EBSEE Ballet Gala (2018)
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The Tales of Clara’s Dream (2019)
Drawing from her extensive international training, stage, choreography, and teaching experience, Ena Hirose provides authentic classical ballet education that nurtures not only precise technique, but also artistry, musicality, elegant expression, and emotional sensitivity.
Her teaching philosophy emphasizes not only technical excellence, but also the cultivation of confidence, discipline, individuality, sensitivity, and inner beauty within every student.

Sufi Asyraf
Co-Founder & Artistic Director
Sufi Asyraf is a Malaysian ballet and contemporary dancer, choreographer, and artistic director with extensive international performance and teaching experience.
Born in Kuala Lumpur, Malaysia, he began his dance training at the age of 15 at Taman Budaya Kuala Lumpur, a cultural arts institution operated under the Malaysian Ministry of Culture.
He later graduated from ASWARA (National Academy of Arts, Culture and Heritage of Malaysia), earning a Diploma in Dance in 2011 and a Bachelor’s Degree in Dance Performance in 2014.
In 2011, he joined the Aswara Dance Company (ADC), where he was promoted to Principal Dancer in 2013.
Throughout his performing career, he appeared in numerous major productions with ASWARA, including:
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Cinderella
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The White Bat
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Coppélia
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Alice in Wonderland
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Don Quixote
as well as many other classical and contemporary productions.
He has also performed internationally at festivals and productions across:
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Indonesia
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Korea
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Singapore
among other countries.
In 2011 and 2013, Sufi participated in professional training and stage performances at Ena Ballet Studio in Nara, Japan.
Following his move to Japan, he further refined his classical ballet pedagogy and teaching methodology under the guidance of Ena Hirose and Rosemarie Starke, specializing in the internationally respected Vaganova Method.
Throughout his artistic career, he has received numerous awards and recognitions, including:
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Short + Sweet Dance Festival 2009 — Best Newcomer Award
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Sansha Award — Best Contemporary Dancer
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EBS Scholarship Award for ballet training in Japan
He also made history as the first male dancer from ASWARA to become a national champion at the 15th TDS Solo Classical Ballet Competition.
In 2014, he was nominated for the prestigious Kakiseni Award in the category of Best Mixed Bill Choreographer.
In 2018, he collaborated with artist and musician Hioki Shin in Japan’s EBSEE Ballet Gala, presenting an improvisational performance that fused music, dance, and stage technology.
His recent productions include:
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The Four Seasons (2017)
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“Passage” Contemporary Choreography (2017)
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EBSEE Ballet Gala (2018)
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The Tales of Clara’s Dream (2019)
As Artistic Director of Ena Ballet Studio (EBS) in Japan, Sufi continues to share his expertise internationally as a ballet and contemporary dance instructor, performer, and choreographer. In 2026, he co-founded NOBLESSE BALLET with a vision of cultivating dancers who possess not only exceptional technical ability, but also artistry, discipline, creativity, musicality, and emotional depth.
With a career spanning both classical ballet and contemporary dance, Sufi is dedicated to developing well-rounded artists through a training approach that balances technical rigor with creative exploration. He encourages each dancer to discover their unique artistic voice while building the confidence, versatility, and expressive qualities essential for a successful and fulfilling journey in the performing arts. Through his teaching and mentorship, he strives to inspire a lifelong appreciation for dance and the pursuit of artistic excellence

Mark Brinkley
Patron








Mark Brinkley OAM - ARAD is a respected ballet teacher, adjudicator, examiner, and former Senior Soloist.
He trained at The Australian Ballet School and graduated with Honours.
He joined The Australian Ballet in 1972 and performed for 20 years.
He worked with world-renowned artists including Rudolf Nureyev and Dame Margot Fonteyn.
He was promoted to Soloist in 1979 and Senior Soloist in 1981.
He became Ballet Master of The Australian Ballet’s Dancers Company in 1986.
He received the Medal of the Order of Australia in 1993 for services to ballet.
He has taught at major institutions including The Australian Ballet School, Royal Ballet School,Queensland Ballet, and many private ballet schools.

